TruckQuip- Corporate Video Production- Behind The Scenes

WolFangCamcorders & Video Cameras, Camera Stabilization, Corporate Films, Corporate Videos, Film Editing, Glidecam, HDSLR Film Making, High Definition, Sony, Sony A99 SLT, WolFang Digital

Making a corporate video for TruckQuip, luxury bus builders.

When asked what we do for a living, we reply, ‘We make companies and their business look awesome!’. We hope you’ll enjoy watching how luxury buses are made in our corporate film for TruckQuip.

Watch the completed film here: TruckQuip Corporate Video

A great team- the Sony A99 with Zeiss 24-70mm F2.8 gave us very pleasing shots.

A great team- the Sony A99 with Zeiss 24-70mm F2.8 gave us very pleasing shots.

In this corporate video production, we combined 5 different cameras to shoot this film; Sony A99, Sony NX5, Sony CX700, Sony NEX6 and GoPro Hero 3 Black. This was done for creative expression as well as practicality. The GoPro Hero 3 was purely a practical one. It has fantastic resolution (2.7K).

In overkill mode, strapping 2 cameras together on top of the car mount. He can now shoot 2 different focal lengths at once.

In overkill mode, strapping 2 cameras together on top of the car mount. He can now shoot 2 different focal lengths at once.

The Sony NX5 was used for on-the-road filming of the hero bus. We wanted a wide enough composition and a lots of depth of field. The NX5 also had lens-based stabilization. These features made it our first choice for the bus travel shots.

We review the previous clips with factory staff after a lengthy take with the jib and prepare for the next shot.

We review the previous clips with factory staff after a lengthy take with the jib and prepare for the next shot.

We’ve always held accessories maker Edelkrone in high regard. The day we purchased the Edelkrone FocusOne Pro, we never looked back. Right away we swapped out our RedRock Micro follow focus in favor of the FocusOne Pro.

We were able to pull focus accurately each time. The forward facing marker disc makes it even more convenient for the camera operator to set his focus points.

The NEX-6 was more preferable on the jib as it used less counterweights.

The NEX-6 was more preferable on the jib as it used less counterweights.

We have a few scenes that were shot with a jib. Using the jib in these scenes and then booming up, gave the composition a grand feel. It made a big difference compared to simply using a tripod or even a dolly.

 The 'hero' bus is here. We are settling on the route and placement of camera for a static shot.

The 'hero' bus is here. We are settling on the route and placement of camera for a static shot.

Mounting the A99 on our jib required more counterweights to keep it balanced compared to the NEX-6. Less weights meant we could pack and move to the next scene faster. The NEX-6 was also an interchangeable lens camera. For the rest of the shoot we would always use the NEX-6 for booming shots with the jib.

All of the shots were brought into Edius 6 for color grading and editing. Adobe After Effects was used for motion design and visual effects.

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